Ad Manaurem 1762, Mécénat pour les jeunes musiciens. Notre objectif est de soutenir des jeunes musiciens à un moment de leur carrière où ils en ont besoin. LEGAL NOTICES Liability disclaimer The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. The author reserves the right not to be responsible for the topicality, correctness, completeness or quality of the information provided. Liability claims regarding damage caused by the use of any information provided, including any kind of information which is incomplete or incorrect, will therefore be rejected. The author reserves the right not to be responsible for any postings or messages published by users of discussion boards, guestbooks or mailinglists provided on his page. All offers are subject to change without notice. The author expressly reserves the right to change, supplement or delete parts of the pages or the entire offer without separate notice, or to discontinue publication temporarily or permanently. Exclusion of liability for links We accept no liability for references and links to third-party websites. We accept no liability for such websites. Access to and use of such websites is at the user's own risk. Copyright Copyright and all other rights relating to the content, images, photos or other files on this website are the exclusive property of Ad Manaurem 1762 or the specifically named rights holders. Written permission from the copyright holder must be obtained in advance for the reproduction of any element. This Website is published and maintained by Ad Manaurem 1762, a Sponsorship association registered in France under the Law of July 1st 1901 with N° W242004993 and located 1073 route de Lage, 24800 Saint Martin de Fressengeas, France. We are committed to the proper use of the information we receive from you through our Website. This Web Policy governs the information collection, use and disclosure practices of https://www.admanaurem1762.org (the “Website”). By visiting our Website or using the services offered through our Website, you are accepting the practices described in this Web Policy. Information Collected? We may collect Personal Information from and about you. Personal Information includes, for example: your name; your home address; your e-mail address; the company and/or website with which you are affiliated; company size; social networking information; your telephone or wireless number; demographic information; and other information that may identify you as an individual or allow online or offline contact with you as an individual. User-Provided Information We collect Personal Information from you when you submit information to us on the Website. For example, we collect Personal Information when you contact us through the Website, when you submit an application for a Masterclass sponsorship. If you are asking for an extra support we may have access to the origin and annual amount of your ressources and/or proof of your income. Website Usage Information Clickstream Data and IP Address We automatically collect certain information about you. For example, we may collect pages viewed on the Website, the time spent on the Website, the date you visited the Website, your Internet browser type, the website from which you linked to our Website (e.g., another website or a search engine), the website you visit after our Website and other web usage activity and data logged by our servers. We may also collect data about your Internet Protocol address (IP Address). Such information may be used to gather demographic information, such as country of origin and Internet Service Provider. We do not link this information with your Personal Information. Automatic Information When you visit our Website, our servers make a log of basic information corresponding to the sites and pages you have visited. This information is stored primarily to track the effectiveness of our Website and individual sections and pages within them. Cookies Cookies are simple text files stored by your web browser that provide a method of distinguishing among visitors to the Website. Ad Manaurem uses cookies to identify your browser as you visit pages on the Website and for Google Analytics tracking. Cookies created on your computer by using our Website do not contain Personal Information. Many web browsers can be set to inform you when a cookie has been sent to you and provide you with the opportunity to refuse that cookie. However, refusing a cookie may, in some cases, preclude you from using, or negatively impact the display or function of, the Website or areas or features of the Website. Cookies also allow Ad Manaurem to provide more relevant, targeted content as you travel through our web pages. When using our Website, you will be asked to consent to our use of cookies as described in this Web Policy. You can withdraw your consent at any time by selecting the "Cookie Settings" link found at the lower left of every page and adjusting your settings, or you can block cookies by activating the setting on your browser that allows you to refuse the setting of all or some cookies (which is usually found in the Edit menu). How Do We Use Your Personal Information? The Personal Information we collect from you may be used in the following ways: Personalise Your Experience on the Website We may use your Personal Information to better respond to your individual needs. Improve the Website We continually strive to improve our Website offerings based on the information and feedback we receive from you. Provide Product Information We may use your Personal Information to respond to your queries regarding our Products. Promotional Use We may use your Personal Information for promotional purposes.You may receive such contents only if you chose to expressly consent to it by registering to receive such documents. You may withdraw your consent at any time and unsubscribe from our promotional contents by clicking the unsubscribe link at the bottom of each promotional material or email you receive. Do We Disclose Any Information to Outside Parties? We do not sell your Personal Information to third parties. We may nonetheless share your Personal Information with third parties for a variety of reasons. Google Analytics tags are used to improve the design and user experience of our website by providing statistics on site usage and pages visited. To learn more about how you can control your privacy with Google tools, see https://privacy.google.com/#. Click to opt out of Google Web Analytics altogether, see https://tools.google.com/dlpage/gaoptout Instagram Linkedin Facebook Custom Audiences https://www.facebook.com/legal/terms/customaudience Facebook Connect https://www.facebook.com/full_data_use_policy . In addition to sharing your Personal Information with third parties who provide services to us, we may share your information: with other users when you submit questions and comments, or create a profile on the Website; as required by law and when we believe in good faith that disclosure is necessary to protect our rights or those of third parties, protect your safety or the safety of others, investigate fraud, or comply with a court order or other legal process; In addition, we may share aggregate usage information that does not identify individual users with third parties for any reason, including for marketing or analytical purposes. How Do We Protect Your Personal Information? We take reasonable and appropriate precautions to protect Personal Information. While we endeavour to protect the security and integrity of sensitive Personal Information collected via this Website, due to the inherent nature of the Internet as an open global communications vehicle, we cannot guarantee that any information, during transmission through the Internet or while stored on our system or otherwise in our care, will be absolutely safe from intrusion by others, such as hackers. In the event that we are required by law to inform you of any unauthorised access to your Personal Information, we may choose to notify you electronically or in writing. Legal Basis for Processing Consent to Processing When providing Personal Information on this Website, you will be asked to consent to the collection, maintenance, processing and transfer of such information in and to other countries and territories. You may withdraw your consent to the processing of your Personal Information at any time. Legitimate Interests If you visit or interact with us on our Website, our legal basis for processing your Personal Information is that it is necessary for our legitimate interest in providing and developing our services and in tracking the effectiveness of our Website. Transfer of Personal Information If we transfer your Personal Information to a country outside the European Economic Area (“EEA”), we will provide appropriate safeguards by applying one of the following transfer solutions: The receiving party of the Personal Information is located in a country recognised by the European Commission as offering an adequate level of data protection as set out by the European Commission pursuant to the General Data Protection Regulation (including certification to the Privacy Shield for entities located in the US); or The receiving party of the Personal Information has agreed to process this Personal Information in accordance with the “Standard Contractual Clauses” for data controllers or data processors approved by the European Commission. Data Retention and Destruction We store your Personal Information for as long as we are legally required to do so. This will depend on the purpose for processing, unless we no longer need the data to provide services, or until any legal requirements to keep it no longer exist. When we no longer need Personal Information, we securely delete and destroy it. But it general we may keep it up to one year which corresponds to one Masterclass session. Rights You May Have You may have certain rights in relation to Personal Information we collect about you under applicable law. These rights do not necessarily apply to all users of our services or visitors to our websites. These include the right to request access to your Personal Information, that it be erased, that its processing restricted, or that any inaccurate Personal Information be rectified. You may also have the right to object to the processing of your Personal Information, and under certain circumstances to obtain a copy of the Personal Information in machine readable format (portability right). Any such request may be submitted in writing to admanaurem@gmail.com . Third Party Links and Comment Sections/Forums Occasionally, at our discretion, we may include links to other websites, including websites operated by unaffiliated third parties. These third party sites may collect Personal Information about you and have separate and independent privacy policies. This Web Policy does not address the information practices of these websites, and therefore we have no responsibility or liability for the content and activities of these linked websites. Nonetheless, we seek to protect the integrity of our Website and welcome any feedback about these sites. Changes to Our Web Policy If we decide to change our Web Policy, we will post those changes on this page and such changes shall be effective immediately upon posting to this page. Under certain circumstances (for example, in connection with certain material changes), we may also elect to notify you of changes or updates to our Web Policy, or to request your consent for such changes, by additional means, such as posting a notice on the front page of our Website or sending you an e-mail. Contacting Us – Complaints If you have any questions, concerns or comments about this Web Policy or our practices with regard to your information, or wish to withdraw your consent, you can reach us electronically at admanaurem@gmail.com . If you are located in the EU, you also have the right to lodge a complaint with a data protection authority in the EU. Alternatively you can lodge a complaint with the Commission Nationale d l’informatique et des libertés directly on their website and under the chapter Online complaint. Effective Date This Web Policy is effective as of June 2021.

We are delighted to present the laureates of the 2025 season The pianists Hsinyu Kwan Born in 2001 in Taipei, Taiwan, Hsinyu Kwan began playing the piano at the age of 4. Since 2015, she has lived in Vienna, where she first studied with Franz Zettl at the Prayner Conservatory, then with Jasminka Stancul at the University of Music and Performing Arts Vienna. She obtained her Bachelor's degree in 2023, receiving the Benjamin Prize from the Wolfgang Bösch Foundation for her excellence. Hsinyu is currently pursuing a Master's in piano performance and a Bachelor's in music pedagogy. Winner of several international competitions, she notably won the 1st prize at the Béla Bartók Competition in 2015 and the 3rd prize at the Smetana Competition in 2018. Tom Carré Born in 1998 in Carcassonne, Tom Carré began playing the piano at the age of 4. After studying at the Toulouse Conservatory, he joined Denis Pascal's class at the Conservatoire National Supérieur de Musique de Paris (CNSMDP), where he obtained his Master's degree in 2023. Winner of several international competitions, he became the first French pianist to win the Concours International Piano Campus in 2022 with Ravel's G major Concerto. In 2023, he was named Révélation Classique by ADAMI and a Young Talent of the Jaroussky Academy. His debut album, "Noctuelles," dedicated to Schumann and Ravel, received a "Choc" award from CLASSICA magazine. Tom regularly performs as a soloist and chamber musician at festivals such as Les Pianissimes, Les Journées Ravel, and at the Kursaal in Bern. Junyan Chen Born in 2000, Junyan Chen is a Chinese pianist recognized for her versatility as both a soloist and chamber musician. She won the second prize at the Leeds International Piano Competition in 2024, along with the chamber music prize and the Alexandra Dariescu award for a work by a female composer. She has collaborated with orchestras such as the Royal Liverpool Philharmonic and the Royal Academy of Music Symphony Orchestra, performing Rachmaninov's Piano Concerto No. 4. Junyan is also passionate about contemporary music, working with composers like Hans Abrahamsen and Eleanor Alberga. Her debut solo album, "It's Time," released in 2022, explores cultural identity through various musical genres. Junyan completed her undergraduate and postgraduate studies at the Royal Academy of Music, and now holds the Academy’s Aud Jebsen Piano Fellowship. MORE Elžbieta Dvarionaitė Born in 2001, Elžbieta Liepa Dvarionaitė began studying at the National M.K. Čiurlionis School of Arts at the age of six with Vaida Kirvelytė and Albina Šikšniūtė. She is currently continuing her studies at the University of Music and Performing Arts Vienna under the guidance of Anna Malikova. Winner of numerous international competitions, she obtained the 2nd prize at the Bechstein-Bruckner Competition in Austria in 2024. Elžbieta has performed with orchestras such as the Lithuanian State Symphony Orchestra and the Lithuanian Chamber Orchestra. She has also participated in festivals like MusicFest Perugia in Italy and the Piano Pic Festival in France. Kasparas Mikužis Born in 2001 in Lithuania, Kasparas Mikužis began playing the piano at the age of 6. He studied at the National M.K. Čiurlionis School of Arts before continuing his education at the Purcell School with Justas Dvarionas. Winner of more than 20 international competitions, he has performed in prestigious venues such as the Concertgebouw in Amsterdam, Wigmore Hall, and the Lithuanian National Philharmonic. His performances have been broadcast on Mezzo TV and radio stations across Europe. Kasparas has also performed for the Presidents of Lithuania and Poland at the Presidential Palace in Lithuania. Kasparas is currently a postgraduate student at the Royal Academy of Music. MORE Vilhelm Moqvist Born in 2003, Vilhelm Moqvist is a Swedish pianist who was recognized early for his talent. A two-time winner of the national Steinway Competition, he represented Sweden in 2018 at the International Steinway Festival in Hamburg. At the age of 14, he made his solo debut with Mendelssohn's Piano Concerto No. 1. In 2020, he performed with the Bergen Philharmonic Orchestra at the Grieg Hall and won the Polar Star Prize in 2021 for his interpretation of Prokofiev's Piano Concerto No. 3. Trained by Roland Pöntinen, he has been pursuing a Bachelor's degree at the Zurich University of the Arts (ZHdK) since 2022 in the class of Konstantin Scherbakov. Winner of several scholarships and awards, Vilhelm has performed in prestigious venues in Sweden, Germany, and Switzerland. His playing, praised for its virtuosity and stylistic sensitivity, makes him one of the most promising young pianists of his generation. MORE Les quatuors à cordes Quatuor Våren Jean-Baptiste Iachemet, violin Elliott Pages, violin David Heusler, viola Adele Quartier de Andrade, cello MORE Founded in 2017 by four high school students from Toulouse united by their passion for the string quartet, the Quatuor Våren resumed its activity in 2022 under the guidance of Luc-Marie Aguera, with whom they continue their training at the CRR in Paris. Since then, the quartet has gained recognition at numerous festivals (Saison Bleue, Moments Musicaux de la Baie du Mont-Saint-Michel…) and prestigious academies such as Cordes en Ballade, Musique à Flaine, and Virtuoso e Belcanto in Lucca. In 2024, the quartet won several international competitions, including the 1st Prize at FNAPEC, the 1st Prize at Virtuoso e Belcanto (Italy), the 2nd Prize at the Premio Giangrandi-Eggmann, and the 3rd Prize at the CIMCL in Lyon. In September 2024, they will begin their master’s degree in string quartet at the CNSMD in Paris in the class of Louis Rodde, while also being mentored by the Quatuor Ébène. As recipients of the Daverio Scholarship and members of the Dimore del Quartetto network, the Quatuor Våren is already establishing a distinctive artistic identity. Idalia Quartet Chloe Prins, violin Eleanor Holmes, violin Constance Hayward, viola Riya Hamie, cello Formed in 2022 at the Royal College of Music Junior Department, the Idalia Quartet is now made up of scholarship students at the Royal Academy of Music. Selected for the Advanced Specialist String Ensemble Training programme (2024–25), supported by the Frost Trust, the quartet receives guidance from Alex Redington (Doric Quartet). After winning 2nd Prize at the RCMJD Chamber Music Competition in 2023, they were invited to perform at the Wigmore Hall. At the Academy, they premiered Steven Goss’s quintet “Wynwood Walls” in 2023 and participated in the Manson Ensemble season, performing contemporary works including several world and UK premieres. In summer 2025, they will appear at the Petworth Proms and make their French debut at the Ferrandou Musique residency with a varied programme from Haydn to Tippett. As a young and promising ensemble, the Idalia Quartet is already making its mark on the British chamber music scene. Motus Quartet Tim de Vries, violin I Karla Križ, violin II Erin Pitts, viola Domonkos Hartmann, cello Founded in October 2022, the Motus Quartet consists of Tim de Vries, Karla Križ, Erin Pitts, and Domonkos Hartmann, who met while studying in Vienna. The quartet is currently taught by Johannes Meissl at the University for Music and Performing Arts Vienna (mdw). They‘ve also received musical guidance from notable figures like Hatto Beyerle, Eckart Runge, the Jerusalem Quartet, and the Danish String Quartet. A major highlight was working with composer György Kurtág on his „12 Microludes for string quartet, Op. 13.“ The quartet has received several accolades, including first prize and a special prize for their interpretation of an early classical piece at the 10th International Joseph Joachim Chamber Music Competition. They also won the Artis Quartet Award and the Viennese Classicism Award at the International Summer Academy of the mdw. The Motus Quartet participates in ECMA and Musethica sessions throughout Europe. They‘ve performed at prestigious venues such as the Konzerthaus Vienna, the Musikverein Vienna, and the Amsterdam Concertgebouw, with a Wigmore Hall debut set for January 2026. The ensemble‘s recent concert tours have taken them across Europe, Asia, Africa, and North America.

Ad Manaurem 1762, mécénat pour les jeunes musiciens. Notre objectif est de soutenir des jeunes musiciens à un moment de leur carrière où ils en ont besoin. Ad Manaurem 1762 - Patronage for young musicians Our mission is to support young musicians who have graduated from the world's top music universities. We invite them to an exceptional week of masterclass in Périgord, France, under the artistic direction of renowned professors. Our programme of excellence is based on a partnership with the best music academies. It includes daily, individual lessons enabling these young talents to perfect their own project of the classical repertoire. © Unsplash - Claude Grabriel An invitation to excellence Our story begins here, between family and friends, all united by a deep passion for music and a sense of responsibility to support the musicians of tomorrow. We invite them to join us in this place where, since the earliest traces of humanity, artists have expressed themselves in complete freedom. Our name, Ad Manaurem 1762, was inspired by Mozart's first minuets written at the age of 6, in 1762. It tells us how important it is to support young people and their potential for virtuosity. It expresses our reason for existing, a hymn to music and talent. Do you like our project? We are a non-profit organization. The more people who are enthusiastic about our organization and support it, the more young musicians we can offer this masterclass to. Your membership allows you to become a patron of tomorrow's generation of musicians and an integral part of Ad Manaurem 1762. You will be involved in this ambitious project, receive regular detailed information and, of course, meet our young talents at the final concert in July 2024. Philanthropy While we want to maintain a human approach, our project is also aimed at major donors, whether individuals, foundations or companies. Please contact us directly so that we can have the opportunity to meet you and tell you more about our project. Enterprises: Investing in young people We offer companies sponsorship programmes that fit in with their strategy. Our excellence-based approach is a genuine motivational tool for teams and can also be applied on a long-term basis. Please contact us directly so that we can have the opportunity to meet you and tell you more about our project.

Ad Manaurem 1762, mécénat pour les jeunes musiciens. Notre objectif est de soutenir des jeunes musiciens à un moment de leur carrière où ils en ont besoin. Welcome to the Orangerie: A New Residence for Young Talents in the Périgord Vert Ad Manaurem 1762 has opened its doors for an exciting new project. We are delighted to announce the opening of our residence, specially designed for young musicians. Our first guests, the talented Idalia String Quartet, have already arrived and are filling the space in the heart of the Périgord Vert with music. This new step deepens our commitment to the talents of tomorrow, while staying true to our philosophy. The residence provides not only an inspiring setting for rehearsals but also moments for meeting and exchange. The peace and beauty of the Périgord Vert create an ideal environment for artistic growth. This project is fully aligned with our belief that musical excellence thrives best in a supportive, family-like environment. With the residence, we now offer an even more comprehensive platform to encourage and support the next generation of classical music. Launch of the 2025 Season – Our sponsorship will offer 2 exceptional Master Classes and a new residency for artists We are delighted to announce the opening of the 2025 season – Two exceptional Master Classes: 18 musicians will benefit from our programs, fully funded by Ad Manaurem 1762. Piano A Piano Master Class will take place from June 28 to July 5 under the artistic direction of Mr. Denis Pascal, Professor at the Conservatoire National Supérieur de Musique de Paris. This class is limited to 6 students and will conclude with a public concert on Friday, July 4, in Saint Jean de Côle. BIOGRAPHY Chamber Music A Master Class in Chamber Music for String Quartet organized at the end of summer from August 23 to August 30, 2025. The guest professor is Mr. Johannes Meissl, Vice Rector of the University of Music Vienna. Three quartets will be selected. A restitution concert will be given and open to the public on Friday August 29 in Saint Jean de Côle. BIOGRAPHY Selection Process It is only available through the higher music universities with which we have established a partnership. Winners must be at the end of their university studies (Master's or 3rd cycle) or within the next 2 years. We ask students who are not in this situation and who would like to benefit from our sponsorship to contact their conservatoires so that they can approach us beforehand to discuss a possible partnership. Programm The quality of our program places these Master Classes at a high level of excellence. Daily individual lessons are provided in an exceptional setting. We are dedicated to the well-being of our participants, ensuring they can develop their projects and deepen their art during the week. Special care is given to their accommodation and gastronomy, which is central to our culture. We aim to make this an unforgettable human adventure.

Ad Manaurem 1762, mécénat pour les jeunes musiciens. Notre objectif est de soutenir des jeunes musiciens à un moment de leur carrière où ils en ont besoin. The 2024 season was made possible through partnerships established with: CNSMDP, Conservatoire National Supérieur de Musique et de Danse de Paris MDW, Universität für Musik und darstellende Kunst Wien RAM, Royal Academy of Music London Each of these three institutions nominated several candidates to benefit from our program. Our selection committee chose a total of six participants, with two laureates from each institution. The masterclass week focused on piano, under the artistic direction of Mr. Denis Pascal, professor at CNSMDP. First of all, we would like to extend our warmest thanks to our artistic director, Denis Pascal, for the quality of his teaching and the enthusiasm he inspired in our six students. His commitment has been exceptional, and our artists have expressed profound appreciation for his guidance. The 2024 laureates (from left to right): Dario Zanconi, Adrian Herpe, Erik Breer genannt Nottebohm, Hyunji Kim, Milda Daunoraite, and Bocheng Wang. PORTRAITS DES ARTISTES Highlights of the week Our students at work during the Masterclass Our guests received a daily individual lesson with Mr. Denis Pascal, and, of course, accommodation, meals, and additional activities were also provided by Ad Manaurem 1762. Among these activities was a visit to the prehistoric caves of Villars. Photos of the concert at the Espace Nantholia in Nantheuil Mid-week concert for young people from the Limoges and Brive conservatoires, and also for musicians from the Harmonie de Thiviers. Voice coaching session with Petra Andrensek A voice coaching session was organized to help participants improve their public speaking skills. This module included individual sessions led by Ms. Petra Andrensek. The closing concert on Friday 5 July 2024 in Saint-Jean-de-Côle Over 200 people attended the concert on 5 July. Many were full of praise for our 6 performers at the end of the concert, which was worthy of the best summer stages. The virtuosity of our young pianists charmed a well-informed audience, who gave them a standing ovation. We would like to extend our warmest thanks to all the photographers from the "Objectif Photo en Périgord Vert" association who accompanied us throughout the week and graciously made their images available to us. Our heartfelt thanks go to the members of Ad Manaurem 1762 who placed their trust in us to carry out this patronage, and deep gratitude to the Board of Directors, whose commitment and support enable the association to operate at this level of excellence. We were greatly honored by the presence of Ms. Ulrike Sych, Rector of the University of Music in Vienna, who supported us throughout this project. She was accompanied by Mr. Christopher Hinterhuber, Head of the Piano Department in Vienna. We were also touched by the presence of Matthew Ross, representing the Royal Academy of Music in London. We extend our thanks to our sponsors—the Caisse des Dépôts et Consignations, the Périgord-Limousin Community of Municipalities, and Crédit Agricole—for their trust in our project and their financial support. Lastly, we would like to extend our heartfelt thanks for their generous support to: Michel Augeix, Mayor of Saint Martin de Fressengeas and President of the Périgord-Limousin Community of Municipalities, Francis Sedan, Mayor of Saint Jean de Côle, Isabelle Hyvoz, Mayor of Thiviers and General Councilor, Colette Langlade, Regional Councilor, Raphaël Chipeaux, First Deputy Mayor of Nantheuil and Vice President in charge of culture for the Périgord-Limousin Community of Municipalities. The concert of 5 July 2024 Programm Erik Breer gen. Nottebohm Ernő Dohnányi, 1877–1960 Variations on a Hungarian Folksong Op. 29 Milda Daunoraite Frédéric Chopin, 1810–1849 Scherzo No. 4 in E Major, Op. 54 Hyunji Kim Felix Mendelssohn, 1809–1847 Serious Variations, Op. 54 Bocheng Wang Frédéric Chopin, 1810–1849 Andante spianato and Grande Polonaise Brillante, Op. 22 Dario Zanconi Maurice Ravel, 1875–1937 A Boat on the Ocean, Alborada del gracioso Adrian Herpe Igor Strawinsky, 1882–1971 The Firebird, Danse infernale Berceuse, Final

Biographie de Denis Pascal, Pianiste, Directeur Artistique et Professeur pour la Masterclass 2024 de Ad Manaurem 1762 Biography Born in Austria, Christopher Hinterhuber studied with Alex Papenberg, Rudolf Kehrer, Lazar Berman, Avo Kouyoumdjian and Heinz Medjimorec at the University for Music and performing Arts in Vienna and the Accademia “Incontri col Maestro” in Imola, Italy acquiring additional artistic input from such artists as Oleg Maisenberg and Vladimir Ashkenazy. He has won numerous top prizes and honors at the international piano competitions in Leipzig (Bach), Saarbrücken (Bach), Pretoria (Unisa), Zurich (Geza Anda) and Vienna (Beethoven) among others. As “Rising Star” 2002/03, he performed with violinist Patricia Kopatchinskaja in the international series at the Carnegie Hall, New York and in all important musical centers in Europe. The last few years have seen him play in major festivals such as the Salzburg Festival, the Schleswig-Holstein- Festival, Styriarte Graz, Carinthischer Sommer Ossiach, Mozartwoche Salzburg, Schubertiade Schwarzenberg, the Ruhr Piano Festival and the Prague Autumn; under such conductors as Vladimir Ashkenazy, Kirill Karabits, Jakub Hrusa, Bertrand de Billy, Sylvain Cambreling, Beat Furrer, Howard Griffiths, Yakov Kreizberg, Christian Arming, Adrian Leaper, Andrés Orozco Estrada, Dennis Russell Davies, Ari Rasilainen, Hubert Soudant, Alfred Eschwé and Bruno Weil; with the Vienna Symphony Orchestra, the Radio Symphony Orchestra and the Klangforum in Vienna, the Wiener Virtuosen, the Vienna and Zurich Chamber Orchestra, the MDR Orchestra Leipzig, the Royal Liverpool Philharmonic, the Bournemouth Symphony Orchestra, the New Japan Philharmonic, the Orchestre Philharmonique de Luxembourg, the Philharmonia Prague, the Mozarteum Orchestra Salzburg and the New Zealand Symphony Orchestra among others. A special project was the sound recording (Schubert, Rachmaninov, Schönberg) and filming (his hands) for the french-austrian movie “La pianiste” based on a novel by Elfriede Jelinek and directed by Michael Haneke, which was awarded the Great Prize of the Jury in Cannes in 2001. Beside his activities as soloist, chamber music is an important part of his musical life, for example as member since 2012 of the renowned Altenberg Piano Trio, which has its own series in the Musikverein in Vienna; from 2017 until 2021 he played also in acclaimed Piano Quintet “Philharmonic Five” with members of the Vienna Philharmonic, the ensemble released their first CD-recording on Sony Classical in January 2018. He gives regularly masterclasses worldwide, is artistic director of the Osaka Music Competition in Japan and professor for piano and deputy head of the piano department at the University for Music and performing Arts in Vienna. Photo: Julia Wesely

Ad Manaurem 1762, mécénat pour les jeunes musiciens. Notre objectif est de soutenir des jeunes musiciens à un moment de leur carrière où ils en ont besoin. Ad Manaurem 1762 – Piano Season 2025: A Resounding Success The 2025 Piano Season of Ad Manaurem 1762 took place this year in partnership with prestigious institutions such as the CNSMDP (Paris), the MdW (Vienna), the Royal Academy of Music (London), and the ZHdK (Zurich). Six exceptional laureates were selected to participate in our masterclass, passionately led by Mr. Denis Pascal, professor at the CNSMDP and artistic director of this season. His high-quality teaching and enthusiasm deeply impacted our young artists. Denis Pascal surrounded by our 2025 Laureates (from left to right): Tom Carré, Vilhelm Moqvist, Hsinyu Kwan, Elžbieta Dvarionaitė, Junyan Chen, Kasparas Mikužis. Highlights of the week Beyond daily individual lessons with Denis Pascal, our young talents benefited from quality accommodation, allowing them to work and rehearse on three pianos available to them 24/7. Not to mention a memorable visit to the prehistoric caves of Villars. The closing concert in Saint-Jean-de-Côle The closing concert on July 4th was a true triumph, gathering over 240 spectators. The virtuosity of our six pianists captivated an appreciative audience, who honored them with a standing ovation worthy of the greatest summer stages. We express our deep gratitude to the talented photographers of the "Objectif Photo en Périgord Vert" association for capturing these precious moments throughout the week, and for graciously making their images available to us. Our thanks also go to the volunteer members and the board of directors of Ad Manaurem 1762, whose unwavering commitment and support are essential to the excellence/sustainability of our association. We were honored by the presence of Mrs. Anne Leclercq, Head of Philanthropy, and Mr. Clément Carpentier, Director of Instruments, both representing the National Conservatory of Music and Dance of Paris, as well as Mr. Matthew Ross for the Royal Academy of Music in London. Their presence at our side is an invaluable mark of confidence. A big thank you also to our precious supporters, without whom nothing would be possible: The Community of Communes of Périgord-Limousin, and in particular its President, Michel Augeix, Mayor of St Martin de Fressengeas, and its Vice-President in charge of Culture, Raphaël Chipeaux, without forgetting Isabelle Hyvoz, Mayor of Thiviers and Francis Sedan, Mayor of Saint-Jean-de-Côle. It is thanks to them that we were able to realize our project. We thank our Regional Councilor Colette Langlade who came with the encouragement of the President of the Nouvelle Aquitaine Region Alain Rousset and who is one of our supporters. The Caisse des Dépôts et Consignations, for its commitment and trust from the very beginning of our project. Crédit Agricole, and more specifically the Thiviers branch, which has always welcomed us, guided us and helped us, to the point of enabling us to obtain significant financing from the Crédit Agricole Charente-Périgord Foundation, for the purchase of a piano for our new residence for musicians which we will open at the end of July. And of course, a big thank you to Périgord Magazine, our media partner. You'll find a wonderful article on Ad Manaurem 1762 in their pages. The concert of 4 July 2025 Programm Hsinyu Kwan Joseph Haydn, 1732–1809 Sonata in B minor : Allegro moderato, Menuet , final : Presto Kasparas Mikužis Jean-Philippe Rameau, 1683–1764 Les Triolets, La Poule : excerpts from the Suite in G major, RCT 6 Maurice Ravel, 1875–1937 „Une barque sur l‘océan“ Elžbieta Dvarionaitė Maurice Ravel, 1875–1937 Valses nobles et sentimentales Vilhelm Moqvist Robert Schumann, 1810–1856 Kreisleriana, op. 16: first three pièces Junyan Chen Henri Dutilleux, 1916–2013 Sonate : Choral and Variations Tom Carré Zoltán Kodály, 1882–1967 Dances of Marosszék

Biographie de Denis Pascal, Pianiste, Directeur Artistique et Professeur pour la Masterclass 2024 de Ad Manaurem 1762 Biography Petra Andrensek is a Zurich-based singer and vocal coach, renowned for her deep understanding of music. She holds a Master's degree in Musicology and specializes in the art of speaking and singing. Petra developed a unique vocal training methodology, which she has refined over the years by coaching hundreds of diverse individuals with clear results. Content and Benefits of Voice Training The program for emerging musicians of the Masterclass 2024 aims to enhance their self-presentation skills, crucial for effective communication with audiences and interaction with juries. The goal is to equip these musicians with the necessary techniques to become confident, impactful speakers, ensuring they make a positive impression on key individuals in their career path. Her approach blends technical expertise with profound empathy, allowing Petra to unlock the potential in every voice she coaches. This has not only enhanced the vocal skills of her students but also significantly impacted their professional careers. She focuses on helping students understand their voice, how to control it and adapt it to different situations for better communication and presentation. WEBSITE PETRA ANDRENSEK © Justin Hession

Formulaire de contact et adresse d' Ad Manaurem 1762 pour plus d'informations Contact 1073 Route de Lage 24800 St. Martin de Fressengeas admanaurem@gmail.com First Name Last Name Email Message Send Thank you for your message.

Les Masterclass de musique se déroulent dans le Périgord. Journey in the Périgord Vert We believe that in this beneficent Périgord Vert, where natural and built heritage combine to perfection, we can surround these artists and offer them an unforgettable odyssey at the dawn of their careers. In this way, we give them an extra chance to succeed in their lives as musicians. La Manaurie We're from Périgord, and we're generous about sharing what we've been handed down. That's why this house is keen to welcome its guests for a week. As this is a human adventure, we will be sharing with them the warm hospitality of the Périgord and, of course, its gastronomy. It is here that they will meet other young musicians, as well as the guest personalities who will share their experience and, we hope, give them advice. Accommodation Our students will be staying in a gîte at the village of Saint-Martin-de-Fressengeas. The aim is to give students the opportunity to spend time and socialise with other students from different countries. Together they will have access to leisure activities. The premises are equipped with study pianos for individual rehearsals. The gîte de la Baine is a property situated in a hamlet off the road between Saint-Martin-de-Fressengeas and Saint-Jean-de-Côle, comprising two tastefully restored houses, one traditional and the other contemporary, and a barn converted into a comfortable games room with table tennis and table football. Each person on the property can enjoy their own independence, but there are also communal areas where you can meet up whenever you like. (Find the gîte de la Baine on grandgîtes.com)

Ad Manaurem 1762, mécénat pour les jeunes musiciens. Notre objectif est de soutenir des jeunes musiciens à un moment de leur carrière où ils en ont besoin. Welcome to our photo and video gallery! Discover the inspiring journey of our young musicians, from their intensive lessons to the triumphant final concert. PIANO SEASON 2025 Denis Pascal surrounded by our 2025 Laureates (from left to right): Tom Carré, Vilhelm Moqvist, Hsinyu Kwan, Elžbieta Dvarionaitė, Junyan Chen, Kasparas Mikužis. STRING QUARTET SEASON 2025 Domonkos Hartmann, Riya Hamie, Eleanor Holmes, Chloe Prins, Constance Hayward, Adele Quartier de Andrade, Johannes Meissl, Karla Križ, Erin Pitts, Tim de Vries, Elliott Pages, Jean-Baptiste Iachemet, David Heusler (l-r) PIANO SEASON 2024 Dario Zanconi, Adrian Herpe, Denis Pascal, Erik Breer genannt Nottebohm, Hyunji Kim, Milda Daunoraite, Bocheng Wang (l-r)

Denis Pascal en grand entretien Closing Concert – Book Your Tickets Now! Ad Manaurem 1762: Denis, qu'est-ce qui vous a poussé à accepter l'invitation d'Ad Manaurem 1762 en tant que directeur artistique, et qu'est-ce qui rend ce projet si unique pour vous ? Denis Pascal: La proposition est venue d'une personne bienveillante (Didier Sourisseau, NDLR) qui bâtit un projet presque utopique : réunir de jeunes musiciens dans un lieu absolument extraordinaire, le Château de La Marthonie à Saint-Jean-de-Côle. Ce projet visait à créer des conditions particulières pour un échange unique avec de jeunes artistes, dans un lieu caché, au cœur du Périgord Vert. En réalité, j'ai accepté ce projet sans connaître l'endroit. Et je crois que j'aurais même dit oui plus vite si j'avais su à quoi ressemblait le lieu tel que je l'ai découvert en 2024. Sans parler de l'équipe Ad Manaurem 1762 et de l'aspect humain de cette aventure, qui est vraiment spéciale, précieuse, comme devrait l'être un projet autour de la musique et de l'art. C'est aussi un devoir pour moi de participer à des événements ou des occasions de construire des projets destinés aux jeunes artistes. Pour les pianistes, c'est une occasion unique de venir en Dordogne – pas tant pour participer à la master classe, mais pour être un peu coupés du monde pendant une semaine dans des conditions extraordinaires. Pour moi, c'est aussi un cadeau de pouvoir accueillir ces jeunes musiciens, discuter avec eux et apprendre d'eux. Et ce, même si je suis là en tant que professeur, avec un rôle bien défini et régulé. Ad Manaurem 1762: Quel message clé ou quel conseil important souhaitez-vous transmettre aux jeunes pianistes pour leur développement musical et personnel ? Denis Pascal: Ils sont déjà en quête de leur développement et cherchent des clés pour mieux fonctionner. Si j'ai des conseils à donner, c'est plutôt en termes de propositions concernant leur relation avec l'instrument, avec la musique, et avec ce qu'ils veulent réaliser. Ces propositions, une fois un peu décodées, plus éclairées ou objectivées, leur permettent de s'insérer plus facilement dans le milieu professionnel, d'avoir une voix personnelle. Il s'agit de se considérer comme un centre d'intérêt, de devenir quelque chose qui puisse interpeller le public et les autres musiciens – en bref, de devenir un peu maîtres d'eux-mêmes. Il s'agit donc de travailler sur l'affranchissement, la confiance en soi, et une connaissance plus objective qui leur donne les outils pour se détacher ou, en tout cas, pour avancer dans leur cursus d'enseignement. Ad Manaurem 1762: Selon vous, quelle est l'importance de l'apprentissage en master classe et de l'échange avec d'autres musiciens pour la maturation artistique? Denis Pascal: Les échanges en master classe sont particuliers parce qu'on se voit plus souvent, tous les jours, ce qui crée une temporalité différente par rapport à l'année universitaire. La manière de donner les cours est donc différente. La master classe est ponctuelle, même si elle dure une semaine. Cela signifie qu'on suscite des questionnements, on essaie d'enclencher des réflexions qui – nous l'espérons – porteront leurs fruits plus tard. La master classe est aussi une manière de briser un cycle, de sortir du quotidien et de ses difficultés que rencontrent les artistes, les musiciens, tout le monde en fait. Il s'agit de se retrouver et de vivre cette expérience quotidienne autour du répertoire, avec des échanges organisés et planifiés, encore une fois dans un lieu absolument merveilleux. Il y a une fluidité dans le temps, quelque chose de suspendu. Les contingences du monde extérieur ne sont plus là. Et cela permet peut-être de lâcher les défenses et, finalement, de communiquer sur des choses essentielles. La "master classe" est un terme un peu… disons... Je n'aime pas trop le terme "classe de maître". Il s'agit simplement d'être là de manière soutenue et d'être concentré plus intensément pendant un temps bien défini. En ce moment, ce sont six jours intenses puisque je vois les pianistes tous les jours. Ces moments sont toujours privilégiés. Je me souviens des master classes auxquelles j'ai participé. J'ai en tête des noms de grands pianistes qui sont des modèles pour moi. Loin de vouloir les imiter, j'ai compris que des échanges particuliers peuvent se faire lors de ces sessions. Ad Manaurem 1762: Une masterclass, même si vous n'aimez pas le mot, permet-elle l'échange entre générations, ou peut-être même entre différentes cultures qui s'enrichissent? L'avez-vous vécu ainsi ? Denis Pascal: Oui, évidemment, dans une idée où l'on embrasse plusieurs nationalités : Chine, Taïwan, Lituanie, France… Forcément, il y a des cultures associées. Il y a aussi le fait de rencontrer des institutions, puisque des étudiants de la Royal Academy, etc., viennent. Ce sont aussi des manières de penser, des manières… Et ça, c'est fascinant. Pour moi, c'est naturellement fascinant. Pour eux, non. Eux sont sortis de leur institution et se retrouvent un peu dépaysés dans cet endroit hors du monde, hors du cycle, comme je le disais. Mais c'est un enrichissement évident. Comme je l'ai dit plus tôt, c'est une chance que de jeunes artistes vous demandent conseil. S'ils s'ouvrent suffisamment pour demander conseil, la partie est gagnée. Ce n'est pas seulement une question de valorisation, mais cela nous aide aussi à avancer nous-mêmes. Ad Manaurem 1762: Pourquoi, selon vous, un musicien devrait-il postuler à Ad Manaurem 1762? Denis Pascal: Je pense que c'est une occasion unique de trouver le silence. C'est vraiment une occasion unique. De plus, les conditions sont absolument merveilleuses. C'est une occasion de rencontrer d'autres musiciens, de jeunes musiciens, et l'organisation de la semaine est telle que tout est simple : financièrement bien sûr, la logistique, tout est fluide. Et rien n'est jamais vraiment fluide dans la vie. Tout est compliqué. Et c'est ce qui crée ces expériences. Je pense que faire de la musique, pour les musiciens, c'est rêver dans un monde spécial. C'est avoir cette capacité à l'introspection, à suivre une imagination. Bref, ce n'est pas rien et ce n'est pas non plus dans l'air du temps. On pourrait dire que cette pratique du piano, ou l'art en général de la musique classique, de l'interprétation, est à mon avis quelque chose d'essentiel. Elle sert de modèle pour tout le reste. Mais ce n'est pas dans l'air du temps. C'est donc un moment spécial à découvrir, avec des conditions spéciales. Ad Manaurem 1762: Comment avez-vous personnellement vécu la semaine de la master classe et quelle impression en retenez-vous? Denis Pascal: L'impression, c'est surtout la connaissance de six individus différents, d'avoir cherché avec eux, d'avoir appris des choses avec eux et d'avoir essayé de déclencher des processus ou ce qu'on appelle des déclics, concernant leur relation avec l'instrument, le mouvement, l'écoute, la lecture d'une partition. Finalement, il y a des points précis pour s'affranchir et devenir ce que l'on doit être en tant que pianiste. Il est vrai que la master classe est affaire de précision. Les cours ne sont pas de la poésie. Il y a quelque chose de précis, de concret, car la musique est aussi un artisanat, et cet artisanat, ou le perfectionnement des gestes, nous amène à capter d'autres dimensions. Bref, c'est comme ouvrir un tiroir. Il ne suffit pas de discuter littérature pour travailler du Schumann ou du Beethoven. Il faut savoir mettre les mains dans l'écriture musicale, dans la relation avec la lecture, savoir comment fonctionne un piano, comment on peut bouger, et quel est le lien entre notre imagination et nos possibilités de jeu. En bref, c'est à la fois extrêmement concret, extrêmement objectif – du moins, je m'astreins vraiment à penser ainsi – et cela ouvre des portes vers un peu un ailleurs avec la poésie, c'est certain. Ad Manaurem 1762: Y a-t-il quelque chose que vous aimeriez ajouter, un mot pour finir cet entretien? Denis Pascal: Mon mot de la fin : Tant qu'il y aura des rêveurs et des idéalistes, la musique existera. Je tiens à remercier Ad Manaurem 1762, et en particulier Didier, car c'est essentiel. Je pense que c'est un devoir de soutenir ce projet, et c'est aussi une démarche importante pour moi de vous remercier de cette opportunité. Né le 1er décembre 1962 à Albi, Denis Pascal est une figure marquante et une personnalité hors pair du piano français. Après ses études au Conservatoire de Paris, il a approfondi sa technique auprès de György Sebök à l’université d’Indiana. Lauréat de plusieurs concours internationaux (Lisbonne, Zurich et New York), il séduit par la chaleur de son son et la sensibilité de son jeu. Il est notamment reconnu pour son enregistrement intégral des Rhapsodies hongroises de Liszt. Avec ses fils Alexandre et Aurélien, il forme le Trio Pascal. Depuis 2011, il transmet sa passion en enseignant au Conservatoire de Paris.